Basics of sound recording camcorder – how to reach better home video the video is exploding all over the internet. some go viral, and some, let’s face it, it viral. a lot of us are doing our video public for the very first time ktech stabilizer … as wild video camcorder work attracts attention, it is good to have some control over when it is wild and when it is not . sound, or “audio” is another story; if it’s bad, it’s just bad. if your audience can not hear the person who is talking, they’re just going to click “next.
” when people with a camcorder get involved in what they were shooting, (even those with some experience), the first thing they do is forget about the sound. audio that accompanies video has a huge impact on the perceptions of the ktech stabilizer audience, but when you are taking a scene, you are part of that scene. your brain tends to block out sounds that appear as normal as you watch the playback later. then ooops! the following article is excerpted from our book “how to shoot better home videos. – help from hollywood pros” we hope it helps stamp out bad camcorder video! shhhhhhh! the audience is listening .
Ktech stabilizer – Camcorder Settings Tips
.. no talking! it may seem that it “goes without saying,” … but do not talk, laugh or gasp during recording, unless you are specifically commenting on the scene. your mouth is two inches from the on-board microphone. anything you say can, and will, be used against you. once you have learned to curb your enthusiasm enough to shoot in silence, you can start training yourself to hear the sounds going on around you. it is not only enthusiasm can draw attention to the camera operator – shuddering sighs of boredom can bring the viewer’s attention to a standstill, especially if it is accompanied by an unexpected movement of the camera that feels like a big just wave that rolled under the boat.
Hearing if your environment has a powerful air conditioner and you have control over it, turn it off. if freeway traffic outside ktech stabilizer the room where you’re shooting, take a “cutaway” shots of the freeway, through a window. (a “cutaway” is a shot of an element that may or may not be part of the scene but contains information that is useful to the audience). once you know the audience why the sound is there, they will find it less disturbing. for example: you can shoot a wedding outdoors and crows suddenly start making a ruckus.
Take a shot of crow and you’ll be less likely to have to spend useless hours trying to eliminate screeching crows from “soundtrack” (the audio track that accompanies the video), once you start edit the ceremony. the microphones “microphone,” the instrument capable of converting sound waves into electric current generated in the consumer camcorder, is very good for the overall sound. they are especially promising. if you are getting the picture, you get sound. however, they are very limited when it comes to interviews, action scenes, and important conversations. the further away you are from people whose word recording, the more general audio microphone is going to pick up.
It will also pick up any air conditioners and motor to be humming away, including a desktop computer. when you purchase your camcorder, make sure your camcorder has an external microphone jack. that is, an input, usually a “mini jack” that takes an external microphone, if you intend to use it to record clean audio as interviews or narration. many camcorders are now being built without them, and the audio capture is limited to the built-in microphone. it can really limit the usefulness of your audio. if you have one of these cameras, try to shoot as close to your subject as you can to eliminate unwanted ambience (general sound generated by the location where you are shooting).
Camcorders and other electronic devices to do so many things; a person is inclined to assume it’s going to do the simple things, too. when we visited the sales associate in the department of camera we always ask, “what is it that this camcorder will not do?” besides the on-board omnidirectional mic (which captures sound from all directions), you’ll want two types of additional microphone to your home video arsenal, suppose you buy a camcorder with a microphone jack. the first and most important is the gun. this is a unidirectional microphone and cardioid version (with a heart-shaped pick-up pattern) is designed to reduce feedback.
This means that the pick-up pattern of the mic will pick up the on-camera subject to whom it is pointing, but sounds occurring at right angles ktech stabilizer is greatly reduced. this results in higher quality audio. the second type of microphone is known as the lavaliere (lah vah leer), it attaches to dress people and is ideal for interviews, so having a couple of them are a good idea. the cordless “lavs” or “lav mics” are the most useful, but it is important to listen to the occasional radio interference. corded type is cheaper and okay for sit-down interviews.
Headphones: now that you have some control over your audio, you will want to “monitor” it with headphones. any will do, but the better the quality, the more useful they are, and those who block the noise coming from anywhere but the camcorder is preferred. when you are monitoring the sound with a headset, you’ll be listening for air conditioners, dogs barking, radio interference, and any other noises that distract from the audio that you are taking. it is good to note that there are at least two sound recordists any serious movie set (the boom man, and the actual recordist). one catch-phrase in professional video production goes, “if you do not get the audio, you do not get the scene.
” lawrence benedict is a seasoned hollywood videographer, apple certified editor / trainer, and published author. his previous books are still found for sale on the web video demo tape how to save money making a tape gets you work. computer video maker magazine video demo tape gave their top rating of 5 stars, and an excellent rating.